Saint Monica is known as the "weeping saint," as she was said to have shed tears every night over her son Augustine's hedonistic lifestyle. Father Juan Crespi thought of her eyes when he first saw a pair of sacred springs, named Kuruvungna by the local Tongva tribe, at what is now the border of Santa Monica and West Los Angeles. Water has shaped the geology of Santa Monica, eroding the sandstone at the coastline. The artwork will reference both the geological and cultural history of Santa Monica through the use of sandstone and hand-formed glass that recall Saint Monica, Kuruvungna and the Palisades.
“Saint Monica’s Tears” will be installed at the west end of Downtown Santa Monica Station, along 4th Street, in Metro property.
The power of water is integral to the geologic history of Santa Monica. Water shaped the coastline, eroding the sandstone at its edges. And yet most residents seldom engage this geology. This proposal springs from this enmeshing of geological and cultural history.
About the Artist
WALTER HOOD is the Creative Director and Founder of Hood Design Studio in Oakland, CA. He is also a professor at the University of California, Berkeley and lectures on professional and theoretical projects nationally and internationally. Hood Design Studio is a tripartite practice, working across art + fabrication, design + landscape, and research + urbanism. The resulting urban spaces and their objects act as public sculpture, creating new apertures through which to see the surrounding emergent beauty, strangeness, and idiosyncrasies. The Studio’s award winning work has been featured in publications including Dwell, The Wall Street Journal, The New York Times, Fast Company, Architectural Digest, Places Journal, and Landscape Architecture Magazine. Walter Hood is also a recipient of the 2017 Academy of Arts and Letters Architecture Award.
Locations: Downtown Santa Monica Station