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September
10, 2002 |
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In LA / Art’s a Trip Meet the Artists at MTA’s Mega-Art Tour of Five New Installations on Metro Rail.
(LOS
ANGELES) Metro Art Docents will lead concurrent art tours featuring the
artists of five new installations at three Metro Rail Stations and
aboard Metro Blue Line train car #127 on Saturday morning, Sept. 14,
from 9:30 to 11 a.m. Tours are free; valid fare is required to travel on
Metro Rail. The featured artworks, along with the
artists of each installation, are:
All
were commissioned as part of MTA’s extensive Metro Art program that
enhances the 50 Metro Rail stations and Gateway Transit Center with the
work of artists. The
Metro Art Docent Council, which consists of 36 trained volunteers from
the Los Angeles region, regularly conduct tours of Metro Art and
illuminate the artworks with commentary and insightful review. The 50 Metro Rail stations and Gateway
Transit Center feature the work of artists commissioned to enhance the
59.4-mile transit system in one of the country’s largest and most
celebrated public art programs. Information: (213) 922-4ART or visit Metro Art on the web at www.mta.net/metroart.
“Pathway
to Freedom” by Michael Massenburg and Robin Strayhorn is an
installation of five seating benches honoring the life of Rosa Parks and
the Watts community at the Metro Blue Line station named in honor of the
civil rights leader. Viewing public transportation seating as symbolic
of the Rosa Parks historical event, the team created five seating areas
out of concrete and ceramic tile that bears images of the life and times
of Rosa Parks intertwined with images from the lives of people from
Watts. “Plantings,” by
the artist team of Kipp Kobayashi, Marta Perlas and Noel Korten,
is an installation of seating environments on the platform level of the
7th Street/Metro Center/Julian Dixon Metro Rail Station.
Three seating areas for transit riders awaiting subway cars at the Metro
Red Line Station consist of three-foot-square cubes made of durable
lightweight concrete which are arranged to produce a branching ‘Y’
pattern suggestive of plants and trees. Lighting elements mounted 25
feet above the cubes project a series foliage patterns onto the seating
area, giving transit riders the effect of sitting under a tree. The
station, which is one of the most heavily trafficked in the Metro Rail
system, is located at the intersection of the Metro Blue and Metro Red
Lines in downtown Los Angeles and serves the Central Library, the
historic Fine Arts Building, several large office buildings, hotels,
restaurants and shopping areas as well as the Staples Arena. “Chance Encounters,” by George Legrady, is an installation of computer-generated animations on the theme of passengers passing each other in the public space of the Los Angeles Metro Rail system. The installation is presented on television monitors mounted in various places on the Metro Red Line and Metro Blue Line platforms of the 7th Street/ Metro Center/ Julian Dixon Station from June to December of 2002. The artwork is presented in installments with variations introduced each month. “along
WILSHIRE, looking North (from Grand to Mariposa),” by Robbert
Flick, is a photography
installation in a subway station in the heart of L.A.’s venerable
Wilshire District, where the mezzanine level of the Wilshire/Normandie
Metro Rail Station has been transformed into an exhibition-like space
for MTA Metro Art’s “Photographic Light Boxes,” a revolving feast
of art that continues with the installation and year-long exhibit of
artist Robbert Flicks’ grid of images of the neighborhood above the
Metro Rail route. The
exhibit, a series of seven transparencies installed in backlit display
cases on the south wall of the mezzanine
passageway between the station entrance and the lower boarding platform,
continues through July 2003. The Wilshire/Normandie Metro Rail Station
is the second-to-last stop on the Wilshire leg of the Metro Red Line
Subway that begins at Union Station in downtown Los Angeles and
continues to Wilshire and Western. The
new exhibition-like space of the subway station departs from the
traditional permanence of public artwork to offer a more finite gallery
of changing photo-based exhibits. Furthermore, the exhibits will be
viewed by an average of 3,300 people a day on weekdays. “untitled[gel
sound]” by Cindy Bernard and Joseph Hammer, is a visual and audio
installation aboard a Metro Blue Line train, Car #127. The artwork is
brought to life in the eyes and ears of transit riders as they are
transported by train throughout the region. Sheets of red, green and
blue theatrical gels are placed in the windows of one Metro Blue Line
car. The gels transform the exterior landscape beyond, as well as the
train interior for those viewing it from the outside. Inside the car,
audio speakers emit a subtle low-level sound that blends with the sounds
made by the train and its passengers to create a unique compos MTA-082 |
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